Mackie 32x8 mengpaneel met voeding

Niet alles werkt, sommige mic inputs hebben valse contacten. Moet waarschijnlijk eens opengedaan en gekuist worden. Wordt verkocht in de staat dat hij is. Kan opgehaald worden in Marche-en-Famenne. Voeding inclusief.

The Mackie 8•Bus Series is a flexible ‘in-line monitoring’ style console. They are available with 24 or 32 microphone/line inputs fed into 8 submix buses, 2 stereo mix buses and 6 auxiliary send buses. There are 24 or 32 tape return inputs for multitrack monitoring and mixing or for use as additional line inputs. The 8•Bus Series is designed to be the mixing and communications hub in a multitrack recording studio and is also an excellent choice for sound reinforcement work. Numerous inputs, flexible sends and terrific EQ combined with the legendary Mackie headroom and noise floor specs make your work easy. It’s clean. It’s quiet. It’s packed with features. It’s affordable.

32•8 Specifications :

Noise (Measured 20Hz to 20kHz bandwidth,Tape Returns selected, no EQ, Channel Pansalternating L/R, L/R. “Faders up” refers to Unitygain, 0dBu position.) :
Main L/R Output Noise :
Master fader down, –101dBu; master fader up/no ch.’s assigned, –95dBu; master fader up/24 chs. assigned, –90dBu; master fader up/24 chs. assigned, ch. faders up, –86dBu; +4dB operating level S/N ratio, –90dBu
Submaster Output Noise :
Master fader down, –99dBu; master fader up/no ch.’s assigned, –96dBu; master fader up/24 chs. assigned,–90dBu; master fader up/24 chs. assigned, ch.faders up, –86dBu; +4dB operating level S/Nratio, 90dB
Total Harmonic Distortion (1kHz @14dBumeasured 20Hz-20kHz, mic input, 1 channel as-signed) :
Direct output, 0.0013% typical; L/R Mixoutput, 0.0014% typical; Submaster output,0.0015% typical
Crosstalk. (1kHz measured relative to 0dBu, measured 20Hz to 20kHz.) :
Line In to Adjacent Channel, –91dBu; L/R mix output w/channel down, –95dBu; submaster output w/channel down, –96dBu; L/R mix output w/channel muted, –95dBu; submaster output w/channel muted, –96dBu; L/R mix output w/channel unassigned, –91dBu; submaster output w/channel unassigned, –95dBu; L/R mix output w/adjacent channel assigned, –92dBu; submaster output w/ adjacent channel assigned, –94dBu; L/R mix output pan pot attenuation, –87dBu; submaster output pan pot attenuation, –87dBu
Frequency Response : +0dB/–1dB, any input to any output 20Hz to 60kHz; +0dB/-3dB, any input to any output, 10Hz to 120kHz
E.I.N. Mic input (150Ω termination, 20Hz-20kHz) : –129.5dBm
C.M.R.R. Mic input, max gain @1kHz, –83dBu; line input, minimum gain @1kHz, –45dBu; tape input, no gain @1kHz, –45dBu
Maximum Levels. Mic input, +14dBu; all other inputs, +22dBu; L/R Mix balanced output,+28dBu, all other outputs, +22dBu
Impedances : Microphone input, 1.5 kΩ; channel insert return, 2.5 kΩ; all other inputs, 10 kΩ or greater; all outputs, 120Ω
Equalization : Hi Mid, full parametric, +/-15dB freq. sweep from 500Hz-18kHz, bandwidth (Q)variable from 1/12 octave to 3 octaves; Lo Mid,swept, 45Hz-3kHz +/-15dB; Hi, shelving, 12kHz+/-15dB; Lo, shelving 80Hz +/-15dB; Lo Cut(HPF) 75Hz,18dB/octave (Tchebechev)