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Varieties of Modernism 9780300102963 Paul Wood
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00sinds 24 dec. '24, 09:19
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AuteurPaul Wood
ConditieZo goed als nieuw
Productnummer (ISBN)9780300102963
Jaar (oorspr.)2004
Beschrijving
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Titel: Varieties of Modernism
Auteur: Paul Wood
ISBN: 9780300102963
Conditie: Als nieuw
This work discusses the art of the middle third of the twentieth century. It consists of a short general introduction and four parts, each concentrating on a key aspect of the art of the period.
This book, the third in the Art of the Twentieth Century series, considers works of art produced in Europe and the United States between the 1930s and the 1960s.
Arranged in four main parts, this abundantly illustrated book begins by examining aspects of the European avant-garde from the 1930s to the aftermath of the Second World War. The second part focuses on the emergence of Abstract Expressionism in the U.S., in particular the work of Jackson Pollock and important critics. Part three looks at “autonomous” high modernism of the early to mid-1960s and the contemporary, related modernist theorization of photography. The final part of the book addresses the reemergence in the 1950s and 1960s of the concerns of the 1920 avant-gardes operating in the so-called “gap between art and life.”
Published in association with The Open University
Titel: Varieties of Modernism
Auteur: Paul Wood
ISBN: 9780300102963
Conditie: Als nieuw
This work discusses the art of the middle third of the twentieth century. It consists of a short general introduction and four parts, each concentrating on a key aspect of the art of the period.
This book, the third in the Art of the Twentieth Century series, considers works of art produced in Europe and the United States between the 1930s and the 1960s.
Arranged in four main parts, this abundantly illustrated book begins by examining aspects of the European avant-garde from the 1930s to the aftermath of the Second World War. The second part focuses on the emergence of Abstract Expressionism in the U.S., in particular the work of Jackson Pollock and important critics. Part three looks at “autonomous” high modernism of the early to mid-1960s and the contemporary, related modernist theorization of photography. The final part of the book addresses the reemergence in the 1950s and 1960s of the concerns of the 1920 avant-gardes operating in the so-called “gap between art and life.”
Published in association with The Open University
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